- Jerry Hofmann reviews The Troubleshooter
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Just as important, the story-building techniques this book covers are cumulative. The technical editors of this book were amazed that there was still something to learn, even in areas of the software they thought they knew or had mastered. The text also includes a narrative on my cognitive process as I edited the film; hopefully the techniques I employed will help you with your projects when you make edit decisions.
Jerry Hofmann reviews The Troubleshooter
At the very least, I hope you gain the ability to know how to approach any project, by simply asking yourself the questions I asked and answered as I edited "The Midnight Sun. This is my hope for anyone who works with this book. Having the basics down will serve you well as you learn to use the higher-end features of Final Cut Pro. This tutorial assumes that you've completed the earlier chapters. The first time you start using this tutorial, go through the entire tutorial from the beginning.
If you get confused or don't understand an instruction, to check out how any edit or effect should look, simply open the finished sequence file that is included with the tutorial's project file to see how the finished step should look. When you have finished the tutorial, use the book as a reference in the future. Unlike a user 's manual, this book is intended to serve as a way of learning the interface, because you need to learn it to finish editing the film. After you've finished the tutorial, I think it's a wonderful idea to reedit the program in the way you find most effective.
Giving the same source material to different editors in my classrooms over past few years has opened my eyes to the fact there isn't a single way to edit a program or movie. The editor's personality and expressions show through the edit decisions each editor makes. It's exciting to see a different point of view, especially when it's expressed with the same source material. So by all means, play with the material, use different shots or shot order, and experiment with the footage to teach yourself how edit decisions affect the story's emotional impact.
Enjoy yourself; let your imagination take you places in your mind you didn't know existed. I hope you surprise yourself. I hope you learn to look at your work from a fresh perspective each time you start another editing session.
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